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We don’t really plug it enough on here, but Kurtis (Kayfabe) and I both have our own podcast called the KGBcast where we discuss all sorts of topics each week that we deem interesting. During this week’s show, we touched a bit on the CM Punk and Chris Brown feud that sparked up on Twitter and seemingly started to build up steam there for a moment or two.
I suggested that the WWE set up a cage match between the two superstars for the upcoming Wrestlemania but substitute Brock Lesnar in for CM Punk at the very last second as Chris Brown’s opponent. Could you imagine Brown’s face when he realizes that he have to face a monster like the former three-time WWE champion!?
I’m pretty sure that you’d see something that resembles the carnage you see above (with Lesnar playing the part of the Incredible Hulk, obviously).
I can see Rihanna do a run-in to slap Lesnar, causing Brown the upset heel victory…
Logan and Kal - All joking aside, best wishes to all my friends at DC and hope the new relaunch/reboot is very successful and gives the whole industry a good shot in the arm.
COMIC BOOK ART APPRECIATION: ALEX MALEEV
Bub (Taken with instagram)
Jason Aaron Pits Wolverine Against Cyclops in X-Men: Schism (Newsarama)
Following Marvel’s “Welcome to the X-Men” panel Saturday afternoon at WonderCon 2011 in the X-Men’s hometown of San Francisco, it’s now clear that the teaser was suggesting exactly what many fans suspected — a conflict between Cyclops and Wolverine, over the leadership of the X-Men.
X-Men: Schism is a five-issue series starting in July, written by current Wolverine scribe and Marvel “Architect” Jason Aaron, who’s joined by a different artist on each issue — Carlos Pacheco on #1, followed by, in order, Frank Cho, Daniel Acuña, Alan Davis and Adam Kubert. It’s being billed as bringing meaningful change to the X-Men titles as we know it; having built on everything since the decimation of the mutant population in House of M.
Darren Aronofsky’s surprise exit from The Wolverine on Thursday has created a lot of chatter, and it has given 20th Century Fox execs another difficult decision to make. Aside from selecting a new director, Fox already was going to have to figure out the feasibility of its plan to shoot almost entirely in Japan, a country reeling from the earthquake/tsunami. Aronofsky’s exit was attributed to personal issues that made a long shoot in Japan unfeasible and that was no doubt a factor, but I’m persuaded the windfall Aronofsky will earn from The Black Swan allowed him to take a hard look and decide his heart wasn’t in The Wolverine…
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